Lanyula Cultural Village Hosts a Cultural Tour Celebrating Heritage.
Written by Staff Reporter on November 1, 2024
Nestled in the heart of Matetsi, the Lanyula Cultural Village came alive on November 1st, 2024, hosting a vibrant cultural village tour. This event was not just another date on the calendar but a significant stride in Zimbabwe’s cultural tourism cluster and rural development agenda. By spreading the allure of tourism to the rural gems of Matetsi, Binga, and Kariba, the initiative aims to bridge urban-rural divides and showcase the rich, untapped heritage of these regions.
The day saw an array of tourists from renowned entities such as The Rainbow Tourism Group, Bhejane Lodge, Zim-Parks, Avril tours and Lodges and the Zimbabwe Tourism Association, all eager to immerse themselves in the authentic cultural tapestry of Lanyula. As the traditional rhythms echoed through the village, attendees were treated to a mosaic of cultural exhibitions, stories, and traditions that have been passed down through generations.
This tour was more than just sightseeing; it was a celebration of heritage and a step towards sustainable tourism that uplifts rural communities. The event not only highlighted the unique cultural practices of the region but also underscored the pivotal role of tourism in fostering economic growth and community development in Zimbabwe.
Adding to the cultural immersion, the day was graced with performances by the renowned traditional dance group, Imvimbi Arts. Known across Victoria Falls for their mesmerizing routines, Imvimbi Arts captivated the audience with rhythmic movements and vibrant costumes that brought the village to life. The beat of the drums and the melodies of traditional songs resonated, creating an atmosphere of unity and celebration.
Further enriching the experience was the presence of Master “I,” an artist who has carved a niche for himself in the cultural arts scene. His performance was a fusion of modern and traditional elements.
Meanwhile, tourist feedback was overwhelmingly positive, with many celebrating the vision and beauty of Lanyula Cultural Village. Visitors praised the authentic and immersive experience, highlighting the well-preserved traditions and warm hospitality of the locals. However, some tourists suggested improvements, focusing on the adoption of more materials and art that reflect African culture. They believed that incorporating more traditional African aesthetics could further enhance the cultural authenticity of the village.
Tafadzwa G Matsa